- #SONY SPECTRALAYERS PRO 3.0.27 FOR MAC#
- #SONY SPECTRALAYERS PRO 3.0.27 PRO#
- #SONY SPECTRALAYERS PRO 3.0.27 MAC#
This is nothing like using EQ or gating, which are far less precise. By identifying things like hum, hiss or rumble using the spectral display, you are able to remove it from the original recording without adversely affecting the parts of the signal you wanted to keep. Noise reduction is one of the app's many talents and now there's a one-click noise extraction option that instantly extracts your custom noiseprint over the target layer's entire spectral expanse.
#SONY SPECTRALAYERS PRO 3.0.27 MAC#
Certainly it feels snappier, though in fairness I didn't find version 1 particularly slow on a well specified Mac unless I loaded lots of layers. First up is a significant speed boost: Sony claims it's up to eight times faster than the original, even in 3D displace mode. Digging inside a mixed down file is fairly limited in a DAW or a conventional wave editor, but here it's the whole point of the app.Įxtract noise prints and select parts of a sound based on all kinds of criteria. These kinds of tasks are invaluable for anyone working in audio post, broadcast or sound design, where you might be presented with a stereo file or some stems from a recording session and be expected to clean up or work with them. There's a new Shape tool that makes it easier to extract things like drum sounds. You can match noise prints, extract sonic characteristics from one file and apply them to another and more. You can copy and paste elements of sounds between layers, say for example to transfer a background noise from one scene to another, or indeed to remove a sound from multiple files. As well as allowing you to select sounds by area, frequency, harmonics, shape, and noise, these also guess what you're likely to be aiming for which is pretty helpful. Once a sound has been loaded it can be analyzed and edited in a number of different ways including parts of it being selected, extracted and processed based on using Smart Tools.
#SONY SPECTRALAYERS PRO 3.0.27 PRO#
SpectraLayers Pro treats sounds as “layers” and this is the metaphor used throughout the application. It's a little like Photoshop for sound, bypassing conventional restrictions and opening up almost infinite creative possibilities.Ī clinical interface but a wealth of powerful tools. SpectraLayers does this by allowing access to the very heart of what makes up a digital audio file. We're not just talking about detecting pops and clicks here, but rather getting into every aspect of sound, from noise prints to frequencies, extracting and layering and much more. SpectraLayers is a standalone application rather than a plug-in, and targeted at anyone who needs to edit audio in extreme detail. We have seen a few of these kinds of advanced spectral editors in recent years, including iZotope's RX and the Iris synth, which lets you generate sound by manipulating audio spectrally rather than using a conventional waveform view. So although SpectraLayers is the same on both platforms, Sound Forge isn't. Slightly confusingly there is a Mac version of Sound Forge, but it's much newer, built from scratch and currently only at version 1.
#SONY SPECTRALAYERS PRO 3.0.27 FOR MAC#
Alongside the company's recent release of Sound Forge Pro 11 for Windows, Sony has released SpectraLayers Pro 2 for Mac and PC. It doesn't seem all that long since Sony released SpectraLayers 1, a powerful tool for getting inside digital audio files, editing and generally tinkering about with them in ways that aren't possible in the majority of wave editing applications.
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